
There have been many influences for Bill’s work from his early childhood to the present day. He grew up in Portsmouth on the south coast of England and his early years were spent rowing and sailing a clinker dinghy and cruising in his Father's various wooden sailing boats. In those days, he sketched the ships he saw around him, especially to while-away the time when passage making - later turning some of these sketches into detailed models. It was whilst looking for models in Maritime Museums that he first got interested in marine paintings.
Son of a World War II fighter pilot, Bill was named after one of his Father's heroes, the First World War Canadian fighter ace, William Avery (Billy) Bishop.
His parents lived next door to the daughter of the great marine artist W.L. Wyllie (1851-1931), who encouraged him, even presenting him with about fifty of W.L.'s old brushes, which Bill still keeps.

In 1980, after the sale of the family shoe business to retire his Father, Bill started to paint full time with the support and encouragement of his wife Helen. A neighbour, Richard Joicey RSMA, persuaded him to submit his watercolour works to the Royal Society of Marine Artists for their annual exhibition from 1981-84, where they sold, until demand for his work made it impossible for him to spare work for exhibiting, and in 1985, on the advice of Bertram Newbury of the Parker Gallery in London, he started to paint in oils. A year later Bill received a commission from the Royal Naval Museum, Portsmouth for a depiction of ‘Windy Corner’ at the Battle of Jutland. This led to a commission from the Mary Rose Trust was to paint the Mary Rose, King Henry VIII’s warship, both in her recovery cradle from life in watercolour and also the definitive version of how she originally looked in oils. Further commissions included HMS Warrior for the Warrior Museum and John Cabot’s ship, Matthew of 1497, for the City of Bristol.
Bill started selling his work to the United States and while competing on a Real Tennis and Rackets tour of the American courts he met a marine art collector, who invited Bill to show some paintings at his home. Whilst there, Jim Marenakos of Quester Gallery viewed his work and as a results Quester Gallery has been representing him in America ever since.

